Bloody Sadism "Eloquent Atrocity" CD

In the good old days, the complex was a car parts factory. With the arrival of the financial crisis, it finally closed. Several months passed before Joe entered it. He immediately saw it as the perfect place to carry out his plans. Now, it looked like a slaughterhouse, only the carcasses weren't animals but people. Rotting bodies were piled everywhere. The floor, covered under layers and layers of blood, was rough. If anyone were to ask him why he did it, the answer was simple: hate. He felt an indescribable disgust for humanity. At first, his victims were people close to him. They had hurt him and had to pay. Later, he did it for pure pleasure. The last unfortunate woman who fell into his hands was no more than 20 years old. He tortured her for days until he decided to cut her into pieces. First one finger, then another… When he was finished, only the head remained attached to the body. He was sure that if he had met her in a normal situation, she would have despised and humiliated him like everyone else. He would never stop doing what he was doing. Only the Grim Reaper could stop him…
Welcome to the universe of Bloody Sadism.
On October 2, 2019, Base Records Productions released the new album by Slam Brutal Death Grind's One Man Band, Bloody Sadism, called "Eloquent Atrocity."
The man behind the project, and obviously in charge of all the instruments and vocals, is Pooyan Ahmadi.
The Iranian's debut is devastating. A mother of beautiful love, how this man handles things. Basically, when you press play on the album in question, you'll find yourself immersed in a whirlwind of indescribable violence and sadism. The completely lethal tunes are well crafted, each and every one of them solid. However, the problem comes from the production. At times, the six strings feel too, to put it mildly, synthetic. Furthermore, the way the percussion programming is handled at times can be ridiculous. However, despite the flaws, the LP is 100% enjoyable.
Like a serial killer's knife, every note that flies out of the axes is heartbreaking. The riffs are fluid and heavy to the point of exhaustion. If the occasion calls for it, piercing harmonics and tiny bits of extra technique appear. The double harmonies and tremolo picking attacks could be considered anecdotal. They exist, yes, but they appear very rarely.
The vocal registers move between the deepest and most incomprehensible growls and pig squeals. There's no nonsense in this section. It's a pleasure.
The bass lines make an appearance when least expected. It's always appreciated when the four strings take center stage.
I mentioned this a little earlier. The drums can seem absurd at times. That said, the dynamism is beyond doubt.
I'd highlight 'Ecstasy' and 'Withered Vaginal'. Wow, what savagery!
I'm sure the aforementioned weaknesses will be ironed out in future releases. I predict a great future for this project.

Sample: youtube.com/watch?v=NUmV-YeK6g8